• As A Man Thinketh

    As a Man Thinketh was first published in 1903. In it, Allen describes how man is the creator and shaper of his destiny by the thoughts which he thinks. ??We rise and fall in exact accordance with the character of the thoughts which we entertain. ??Our environment is the result of the thoughts that we harbor and the behavior that our thoughts bring about.,Part of the New Thought Movement, Allen reveals the secrets to having the most fulfilling existence possible, guided by a proper understanding and appreciate of how thought shapes our lives. ??Allen advises on how to better manage our thoughts and how to direct them into more constructive behavior. ??Though written more than one hundred years ago, the language and resonance of this classic still hold up today, inviting each of us to reflect not on the world and others, but our own thoughts and how to regain their possession. The title for the essay comes from the Bible: ???As a man thinketh in his heart, so is he,??? Proverbs, chapter 23, verse 7. In more than a century, As A Man Thinketh has become an inspirational classic, selling millions of copies worldwide and bringing faith, inspiration, and self- healing to all who have encountered it.

  • Without Sanctuary

    The Tuskegee Institute records the lynching of 3,436 blacks between 1882 and 1950. This is probably a small percentage of these murders, which were seldom reported, and led to the creation of the NAACP in 1909, an organization dedicated to passing federal anti-lynching laws. Through all this terror and carnage someone-many times a professional photographer-carried a camera and took pictures of the events. These lynching photographs were often made into postcards and sold as souvenirs to the crowds in attendance. These images are some of photography’s most brutal, surviving to this day so that we may now look back on the terrorism unleashed on America’s African-American community and perhaps know our history and ourselves better. The almost one hundred images reproduced here are a testament to the camera’s ability to make us remember what we often choose to forget.