The triumphant true story of the man who achieved one of the greatest feats of our era???the mapping of the human genome.,Growing up in California, Craig Venter didn???t appear to have much of a future. An unremarkable student, he nearly flunked out of high school. After being drafted into the army, he enlisted in the navy and went to Vietnam, where the life and death struggles he encountered as a medic piqued his interest in science and medicine. After pursuing his advanced degrees, Venter quickly established himself as a brilliant and outspoken scientist. In 1984 he joined the National Institutes of Health, where he introduced novel techniques for rapid gene discovery, and left in 1991 to form his own nonprofit genomics research center, where he sequenced the first genome in history in 1995. In 1998 he announced that he would successfully sequence the human genome years earlier, and for far less money, than the government-sponsored Human Genome Project would??? a prediction he kept in 2001, is the triumphant story of one of the most fascinating and controversial figures in science today. In his riveting and inspiring account Venter tells of the unparalleled drama of the quest for the human genome, a tale that involves as much politics (personal and political) as science. He also reveals how he went on to be the first to read and interpret his own genome and what it will mean for all of us to do the same. He describes his recent sailing expedition to sequence microbial life in the ocean, as well as his groundbreaking attempt to create synthetic life. Here is one of the key scientific chronicles of our lifetime, as told by the man who beat the odds to make it happen.
Alberto Giacometti was born in Switzerland and became a student of the arts early in life. He travelled to Paris in his early twenties and became a painter, sculptor and printmaker. Throughout his life and work he focused on three core themes, standing women, busts and a man in movement. He experimented with surrealism and cubism and kept a riotously colourful list of acquaintances and contemporaries including Picasso and Mir??.,Giacometti was in many ways the perfect subject for a study on the creative process. He was bohemian but still driven. James Lord, an author and his biographer, agreed to sit for a portrait by the artist and this book is the result of his recording of those days. He did not merely experience the day to day activity in the studio or Giacometti’s many idiosyncrasies, Lord recorded the artist’s emotional state and the tribulations and distractions that occurred over the 18 days of sitting. Lord shows us a man who seems irritable but warm, engaging but absorbed in his work.,’Giacometti’s Portrait’ details Alberto’s fixation on his younger brother as a model for his work, his messy surroundings and the cigarette ash dropping to the floor as he became distracted. Creatives of all kinds will appreciate the reliance of Giacometti on the ritual and instinctive in striving to create a meaningful work of art. The two eggs the artist needed to eat, the two glasses of beaujolais and the two cups of coffee that were required are familiar to all of us from the student writing an essay to the artist creating a masterpiece. The earthly fortifications that surround the creation of art which is supposed to transcend them remain fascinating.
A stimulating exploration of wandering, being lost, and the uses of the unknown from the author of Men Explain Things To Me.,Written as a series of autobiographical essays, A Field Guide to Getting Lost draws on emblematic moments and relationships in Rebecca Solnit’s life to explore issues of uncertainty, trust, loss, memory, desire, and place. Solnit is interested in the stories we use to navigate our way through the world, and the places we traverse, from wilderness to cities, in finding ourselves, or losing ourselves. While deeply personal, her own stories link up to larger stories, from captivity narratives of early Americans to the use of the color blue in Renaissance painting, not to mention encounters with tortoises, monks, punk rockers, mountains, deserts, and the movie Vertigo. The result is a distinctive, stimulating voyage of discovery.
In 1999, after a series of wildly adventurous jobs around the world, Sam Sheridan found himself in Australia, loaded with cash and intent on not working until he???d spent it all. It occurred to him that, without distractions, he could finally indulge a long-dormant obsession: fighting. Within a year, he was in Bangkok training with the greatest fighter in muay Thai (Thai kickboxing) history and stepping through the ropes for a professional bout. That one fight wasn???t enough. Sheridan set out to test himself on an epic journey into how and why we fight, facing Olympic boxers, Brazilian jiu-jitsu stars, and Ultimate Fighting champions. Along the way, Sheridan delivers an insightful look at violence as a career and a spectator sport, a behind-the-pageantry glimpse of athletes at the top of their terrifying game. ??An extraordinary combination of gonzo journalism and participatory sports writing, , is a dizzying first-hand account of what it???s like to reach the peak of finely disciplined personal aggression, to hit???and be hit.
In this intimate portrait of an extraordinary father???son relationship, Mark K. Shriver discovers the moral principles that guided his legendary father and applies them to his own life,When Sargent “Sarge” Shriver???founder of the Peace Corps and architect of President Johnson’s War on Poverty???died in 2011 after a valiant fight with Alzheimer’s, thousands of tributes poured in from friends and strangers worldwide. These tributes, which extolled the daily kindness and humanity of “a good man,” moved his son Mark far more than those who lauded Sarge for his big-stage, headline-making accomplishments. After a lifetime searching for the path to his father’s success in the public arena, Mark instead turns to a search for the secret of his father’s joy, his devotion to others, and his sense of purpose. Mark discovers notes and letters from Sarge; hears personal stories from friends and family that zero in on the three guiding principles of Sarge’s life???faith, hope, and love???and recounts moments with Sarge that now take on new value and poignancy. In the process, Mark discovers much about himself, as a father, as a husband, and as a social justice advocate. A Good Man is an inspirational and deeply personal story about a son discovering the true meaning of his father’s legacy.
G.H. Hardy was one of this century’s finest mathematical thinkers, renowned among his contemporaries as a ‘real mathematician ??? the purest of the pure’. He was also, as C. P. Snow recounts in his Foreword, ‘unorthodox, eccentric, radical, ready to talk about anything’. This ‘apology’, written in 1940, offers a brilliant and engaging account of mathematics as very much more than a science; when it was first published, Graham Greene hailed it alongside Henry James’s notebooks as ‘the best account of what it was like to be a creative artist’. C. P. Snow’s Foreword gives sympathetic and witty insights into Hardy’s life, with its rich store of anecdotes concerning his collaboration with the brilliant Indian mathematician Ramanujan, his idiosyncrasies and his passion for cricket. This is a unique account of the fascination of mathematics and of one of its most compelling exponents in modern times.
Writing with an exuberant love of language and detail, Anjelica Huston shares her enchanted childhood in Ireland, her teen years in London, and her coming of age as a model and nascent actress in New York.,Writing with an exuberant love of language and detail, Anjelica Huston shares her enchanted childhood in Ireland, her teen years in London, and her coming-of-age as a model and nascent actress in New York.,Living with her glamorous and artistic mother, educated by tutors and nuns, intrepid on a horse, Huston was raised on an Irish estate to which???between movies???her father brought his array of extraordinary friends, from Carson McCullers and John Steinbeck to Peter O???Toole and Marlon Brando. Every morning, Anjelica and her brother visited their father while he took his breakfast in bed. ???What news???? he???d ask. ???I???d seen him the night before,??? Anjelica recalls. ???There wasn???t much to report.??? So she became a storyteller.,In London, where she lives with her mother and brother in the early sixties when her par??ents separate, Huston encounters the Rolling Stones and Fleetwood Mac. She understudies Marianne Faithfull in Hamlet. Seventeen, striking, precocious, but still young and vulnerable, she is devastated when her mother dies in a car crash.,Months later she moves to New York, falls in love with the much older, brilliant but disturbed photographer Bob Richardson, and becomes a model. Living in the Chelsea Hotel, working with Richard Avedon and other photographers, she navigates a volatile relationship and the dynamic cultural epicenter of New York in the seventies.,A Story Lately Told ends as Huston launches her Hollywood life. The second part of her story???Watch Me???opens in Los Angeles in 1973 and will be published in Fall 2014. Beguiling and beautifully written, Huston???s memoir is a treasure.
There will come a time when people decide you???ve had enough of your grief, and they???ll try to take it away from you.,Bad art is from no one to no one.,Am I happy? Damned if I know, but give me a few minutes and I???ll tell you whether you are.,Thank heaven I don???t have my friends??? problems. But sometimes I notice an expression on one of their faces that I recognize as secret gratitude.,I read sad stories to inoculate myself against grief. I watch action movies to identify with the quick-witted heroes. Both the same fantasy: I???ll escape the worst of it.,???from 300 Arguments,300 Arguments, a foray into the frontier of contemporary nonfiction writing, is at first glance a group of unrelated aphorisms. But, as in the work of David Markson, the pieces reveal themselves as a masterful arrangement that steadily gathers power. Manguso???s arguments about desire, ambition, relationships, and failure are pithy, unsentimental, and defiant, and they add up to an unexpected and renegade wisdom literature.
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This inspiring memoir from sports and cultural icon Bill Walton recounts his devastating injuries and amazing recoveries, set in the context of his UCLA triumphs under John Wooden, his storied NBA career, and his affinity for music and the Grateful Dead.,In February 2008, Bill Walton suffered a catastrophic spinal collapse???the culmination of a lifetime of injuries???that left him unable to move. He spent three years on the floor of his house, eating his meals there and crawling to the bathroom, where he could barely hoist himself up onto the toilet. The excruciating pain and slow recovery tested Walton to the fullest. But with extraordinary patience, fortitude, determination, and sacrifice???and pioneering surgery???he recovered, and now shares his life story in this remarkable and unique memoir.,Walton grew up in San Diego in the 1950s and 1960s and was deeply influenced by the political and cultural upheavals of that period. Although he strongly identified with the cool people, particularly in music and politics, his greatest role model outside his family was super-straight UCLA basketball coach John Wooden, a thoughtful, rigorous mentor who seemed immune to the turmoil of the times. Although there was always tension and conflict between them, the two men would speak nearly every day for forty-three years, until Wooden???s death at age ninety-nine.,Despite a lifelong stuttering affliction, Walton chose a career in broadcasting after his playing days ended. He eventually won an Emmy Award and other accolades for broadcasting and was recognized as a leading media pundit.,John Wooden once said that no greatness ever came without sacrifice. Nothing better illustrates this saying than the real story of Walton???s life. In his own words, , shares this dramatic story, including his basketball and broadcasting careers, his many setbacks and rebounds, and his ultimate triumph as the toughest of champions.
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This inspiring memoir from sports and cultural icon Bill Walton recounts his devastating injuries and amazing recoveries, set in the context of his UCLA triumphs under John Wooden, his storied NBA career, and his affinity for music and the Grateful Dead.,In February 2008, Bill Walton suffered a catastrophic spinal collapse???the culmination of a lifetime of injuries???that left him unable to move. He spent three years on the floor of his house, eating his meals there and crawling to the bathroom, where he could barely hoist himself up onto the toilet. The excruciating pain and slow recovery tested Walton to the fullest. But with extraordinary patience, fortitude, determination, and sacrifice???and pioneering surgery???he recovered, and now shares his life story in this remarkable and unique memoir.,Walton grew up in San Diego in the 1950s and 1960s and was deeply influenced by the political and cultural upheavals of that period. Although he strongly identified with the cool people, particularly in music and politics, his greatest role model outside his family was super-straight UCLA basketball coach John Wooden, a thoughtful, rigorous mentor who seemed immune to the turmoil of the times. Although there was always tension and conflict between them, the two men would speak nearly every day for forty-three years, until Wooden???s death at age ninety-nine.,Despite a lifelong stuttering affliction, Walton chose a career in broadcasting after his playing days ended. He eventually won an Emmy Award and other accolades for broadcasting and was recognized as a leading media pundit.,John Wooden once said that no greatness ever came without sacrifice. Nothing better illustrates this saying than the real story of Walton???s life. In his own words, , shares this dramatic story, including his basketball and broadcasting careers, his many setbacks and rebounds, and his ultimate triumph as the toughest of champions.
